First Advisor
Narcisi, Lara
Reader
Bruhn, Mark
College
Regis College
Degree Name
BA
School
Regis College Senior Honors Program
Document Type
Thesis - Open Access
Number of Pages
59 pages
Abstract
I am not a pop critic, or an academic, at least in any traditional or certifiable sense. I am, however, an American. A privileged, white, male American, to be more precise. I have never begged for food, slept outside (except during an ill-fated school year as a Boy Scout), and I have certainly never stared down the business end of a Kalashnikov. I have never witnessed, much less been victim of, a natural disaster (I did see a tornado once growing up outside Chicago. Or maybe I dreamed that). I have never dealt with (corrupt) cops, or had to face discrimination because of my gender, sexuality, race, socioeconomic status, et. al. I don't count discrimination against privileged, white American males as a serious prejudice; in fact, given my own left-leaning tendencies, I once had something of a problem with privileged, white American males myself. My point here is that I like Radiohead. A lot. I was only eight years-old, obsessed with archaeology and spelling when "Creep" first hit the airwaves and Pablo Honey flew off record store shelves. I first heard them in 2001, when I bought their 1997 magnum opus 2, OK Computer, on a whim. This does not make me much of a Radiohead fan, just as I am no rock writer, pop critic, or an academic. I dabble in all three, but honestly, I am just an overeducated American. I imagine a lot of rock writers3 and pop critics are, too. So what gives me the right to pen a sixty-page essay on the relationship between Radiohead and subjects like existential philosophy, environmental concerns, or contemporary politics?
Date of Award
Spring 2006
Location (Creation)
Colorado (state); Denver (county); Denver (inhabited place)
Copyright
© Matthew Wallace
Rights Statement
All content in this Collection is owned by and subject to the exclusive control of Regis University and the authors of the materials. It is available only for research purposes and may not be used in violation of copyright laws or for unlawful purposes. The materials may not be downloaded in whole or in part without permission of the copyright holder or as otherwise authorized in the “fair use” standards of the U.S. copyright laws and regulations.
Recommended Citation
Wallace, Matthew R., "Holding Back the Flood: Thom Yorke, Radiohead, and Post-Industrial Capitalism" (2006). Regis University Student Publications (comprehensive collection). 513.
https://epublications.regis.edu/theses/513