First Advisor

Narcisi, Lara

Reader

Bruhn, Mark

College

Regis College

Degree Name

BA

School

Regis College Senior Honors Program

Document Type

Thesis - Open Access

Number of Pages

59 pages

Abstract

I am not a pop critic, or an academic, at least in any traditional or certifiable sense. I am, however, an American. A privileged, white, male American, to be more precise. I have never begged for food, slept outside (except during an ill-fated school year as a Boy Scout), and I have certainly never stared down the business end of a Kalashnikov. I have never witnessed, much less been victim of, a natural disaster (I did see a tornado once growing up outside Chicago. Or maybe I dreamed that). I have never dealt with (corrupt) cops, or had to face discrimination because of my gender, sexuality, race, socioeconomic status, et. al. I don't count discrimination against privileged, white American males as a serious prejudice; in fact, given my own left-leaning tendencies, I once had something of a problem with privileged, white American males myself. My point here is that I like Radiohead. A lot. I was only eight years-old, obsessed with archaeology and spelling when "Creep" first hit the airwaves and Pablo Honey flew off record store shelves. I first heard them in 2001, when I bought their 1997 magnum opus 2, OK Computer, on a whim. This does not make me much of a Radiohead fan, just as I am no rock writer, pop critic, or an academic. I dabble in all three, but honestly, I am just an overeducated American. I imagine a lot of rock writers3 and pop critics are, too. So what gives me the right to pen a sixty-page essay on the relationship between Radiohead and subjects like existential philosophy, environmental concerns, or contemporary politics?

Date of Award

Spring 2006

Location (Creation)

Denver, Colorado

Rights Statement

All content in this Collection is owned by and subject to the exclusive control of Regis University and the authors of the materials. It is available only for research purposes and may not be used in violation of copyright laws or for unlawful purposes. The materials may not be downloaded in whole or in part without permission of the copyright holder or as otherwise authorized in the “fair use” standards of the U.S. copyright laws and regulations.

Share

COinS